Rigamonti demonstrates that photography is not merely the moment of the shot; it can suspend time and drift across it. His works are, in essence, images of images. Working from his studio, he delves into his archive, exploring slides from the analog era. He duplicates them on Polaroid and leaves them to macerate for 24 hours in balsamic vinegar, producing atmospheric, soft, and subtly corroded images. In Acid Landscapes, the sea becomes an expanse of interiority and the horizon embodies the essence of distance, the line where seeing meets non-seeing, where the visible touches the invisible.

Polaroid 669 type “turn” with balsamic vinegar
cm 8,6 x 10,8, 2003
Unique work
Euro 500

The works in the series are also available in fine art giclée pigment print on Hahnemuhle Photo Canvas 320 in the following formats:
cm 37 x 47                      Euro       500
cm 47 x 60                      Euro       700
cm 100 x 130                  Euro     1.300
Print run 1/5 plus 2 pda